Judith Braun (USA) - Fingering (detail)
New York-based artist Judith Braun has been working on her simple but beautiful series “Fingerings”, an ongoing project in which she uses walls as canvases to explore liberating, improvised strokes with her bare hands. While Braun creates the amazing floral and cosmic patterns, she also freely expresses herself with gestures and movements recorded in carbon – without creating waste and excess. (source: Zilla Mag & Inhabitat)
[more Judith Braun]
Judith Braun (USA) - Fingering (detail)
New York-based artist Judith Braun has been working on her simple but beautiful series “Fingerings”, an ongoing project in which she uses walls as canvases to explore liberating, improvised strokes with her bare hands. While Braun creates the amazing floral and cosmic patterns, she also freely expresses herself with gestures and movements recorded in carbon – without creating waste and excess. (source: Zilla Mag & Inhabitat)
[more Judith Braun]
Vue de l’exposition de Bernard Aubertin, programme des interventions sur le bâtiment, dans le cadre de la saison “Imaginez l’Imaginaire”, 28.09.12 - 30.09.13, Palais de Tokyo, Paris. Bernard Aubertin, Tableau feu, 2012, performance du 27.09.12, © ADAGP, Paris 2012. Photo : Didier Plowy. (via Bernard Aubertin | Palais de Tokyo, centre d’art contemporain)
Takashi Murakami, Flame of Desire - Gold, 2013, Height: 187 inches, Edition of 3, 2AP©2013 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights ReservedExhibition Arhat at Blum and Poe from April 13 - May 25, 2013
Takashi Murakami, Naked Self-Portrait with Pom, 2013, Platinum leaf on bronze, Two parts: 13 3/8 x 57 1/16 x 27 1/2 inches, 5 3/4 x 19 7/8 x 8 inches, Edition of 3, 2AP, ©2013 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved
Exhibition Arhat at Blum and Poe from April 13 - May 25, 2013
Francis Bacon, Three Figures and Portrait, 1975, Oil paint and pastell on canvas, 1981 x 1473 mm
A mother spider looks after her little ones at Rockefeller Center in 2001.Louise Bourgeois’s Maman and Spiders.
Happy Mother’s Day!
(via publicartfund)
Damien Hirst, The Sacred Heart of Jesus, 2005, Acrylic, painted steel, sterling silver, stainless steel, bull’s heart and formaldehyde solution, 1370 x 500 x 500 mm | 53.9 x 19.6 x 19.6 in
(Source: weissesrauschen)
Damien Hirst, The Kiss of Death, 2005, Acrylic, painted steel, stainless steel, resin, sterling silver, monofilament, bull’s heart and formaldehyde solution, 914 x 610 x 254 mm | 36 x 24 x 10 in


